Anthony Le Performance + Art History discussion
Oct
23
6:00 PM18:00

Anthony Le Performance + Art History discussion

October 23, 6:00pm-8:00pm

Mason Exhibitions Arlington
3601 Fairfax Drive, Arlington VA

Join us in an evening of performance and conversation. 

Anthony Le will provide a 10 min commissioned performance art piece that will explore the impact of war and how we live on by accepting the past, rejecting singular narratives and trying better in the future, even joyfully. “I will share reflections of my Vietnamese American journey through the use of poetry, photos and videos from my family archive and of my Vietnamese American art collective Vagabond.”

Following GMU Professor, Dr. Vanessa Schulman will share histories of 20th century American fiber arts as they intersected with activism, protest, and/or healing. 

GMU Professor Meredith Lair will talk about moral injury as an element of personal trauma related to military service in Vietnam, and further expand the particular experience of Black veterans.

Anthony Le is a Washington, D.C.-based interdisciplinary artist and identifies as Vietnamese, American and Queer. Le works across drag, performance, movement, video, painting, sculpture, printmaking, and curation, creating work about transformation. 

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Sound Bath
Oct
24
12:00 PM12:00

Sound Bath

  • Mason Exhibitions Arlington (map)
  • Google Calendar ICS

October 24, 12:00pm - 1:00pm

Arlington programming will feature 3 sound baths by Veteran Hospital Phycologist,  

Dr. Nicole Cammack is a licensed clinical psychologist with an expertise in providing mental health services to Veterans. She understands the power of healing in community with others and uses sound baths and meditation as a tool for healing. Please bring a yoga mat or blanket to sit and join. All are free to join.

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Mural Unveiling - The Tree of Learning
Nov
6
10:30 AM10:30

Mural Unveiling - The Tree of Learning

  • Osher Lifelong Learning Institute (map)
  • Google Calendar ICS

The Tree of Learning - Mural Unveiling Celebration
9 a.m. November 6th
Free and open to the public

The Tree of Learning symbolizes growth, curiosity, and the many paths of lifelong learning. Just as branches extend and flourish, so do the people, ideas, and experiences that enrich this community. The mural creates a welcoming sense of place and a creative legacy shaped by OLLI Mason members, George Mason University students, faculty, staff, and neighbors working together.

About the Artist
Brianna Camp is a George Mason University alumna whose vibrant, community-centered artwork emphasizes creativity, connection, shared storytelling, and art’s healing power. Her colorful murals bring people together through collaborative making. Camp received a 2026 Young Alumni Commissioning Project Award from Mason’s College of Visual and Performing Arts, which includes a solo exhibition at Mason Exhibitions’ Arlington gallery.

About OLLI Mason
Osher Lifelong Learning Institute at George Mason University (OLLI Mason) is a 501(c)(3) nonprofit organization affiliated the national Osher Lifelong Learning Network. OLLI Mason provides classes, lectures, trips, clubs, social activities, and other programs for more than 1,000 active learners over the age of fifty years. More than 500 college-level courses and activities are offered annually in subjects ranging from history and literature to science, technology, arts, and current events. Programs are offered in person at the Fairfax campus, at satellite locations throughout Fairfax County, and online.

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Mural Unveiling - The River's Path
Nov
14
4:00 PM16:00

Mural Unveiling - The River's Path

November 14th, 2-4 pm

Potomac Science Center

650 Mason Ferry Avenue

Woodbridge, VA 22191

Free and open to the public. Refreshments served.

Tim Topalov is a Bulgarian-born, San Diego-based visual artist and designer. His involvement with the arts began with traditional wood carving and graffiti, then evolved into mural and fine art. He earned his BA in Graphic Design at San Diego State University, while working as a stained-glass artist and fine period furniture conservationist. He launched his freelance graphic design practice upon graduation and is currently focused on mural art with an emphasis on scientific and educational topics.

@flow.n.form

https://www.masonexhibitions.org/murals/psc-educational-mural

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Sound Bath
Nov
21
12:00 PM12:00

Sound Bath

  • Mason Exhibitions Arlington (map)
  • Google Calendar ICS

November 21, 12:00pm - 1:00pm

Arlington programming will feature 3 sound baths by Veteran Hospital Phycologist,  

Dr. Nicole Cammack is a licensed clinical psychologist with an expertise in providing mental health services to Veterans. She understands the power of healing in community with others and uses sound baths and meditation as a tool for healing. Please bring a yoga mat or blanket to sit and join. 

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Tree of LIfe Community Paint Day
Oct
11
10:00 AM10:00

Tree of LIfe Community Paint Day

  • Osher Lifelong Learning Institute (map)
  • Google Calendar ICS

Rain dates: October 16 and 17, 2026

Tree of Life Community Painting Day

With guidance from the artist, participants of all ages and skill levels can help paint sections of the Tree of Life mural by artist Brianna Camp. The design will make space for everyone to contribute to a lasting public artwork for the community. Sign up here

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Visual Voices Lecture with Moira McGuire
Oct
8
4:45 PM16:45

Visual Voices Lecture with Moira McGuire

VISUAL VOICES LECTURE SERIES
Moira McGuire
Hybrid Event - live at GMU Harris Theater and Zoom

CAPT (ret) Moira G. McGuire is a retired nurse officer with the US Public Health Service who has more than three decades of leadership across federal healthcare systems, national public health initiatives, and integrative wellness programs. She has developed and scaled pioneering programs addressing chronic disease, behavioral health, and the care of wounded, ill, and injured service members. She led the creation of nationally recognized arts and health initiatives, authored operational and evaluation frameworks adopted across federal and civilian platforms, and advised on strategic policy for multiple federal agencies.

McGuire established the Arts in Health Program at Walter Reed National Military Medical Center, the first of its kind across the Defense Health Agency, and is a passionate advocate for the use of creativity and self-expression as tools for health, prevention, and well-being. She is an adjunct lecturer at the University of Florida’s Center for Arts in Medicine and George Mason University’s Arts Management Program. She serves as the Co-Executive Director of the US Public Health Service Music Ensemble, is a member of the Editorial Board for the journal Perspectives on Arts in Health, and is a board member of the National Organization for Arts in Health.

McGuire is the curator of the exhibition As You Were currently on view in Mason Exhibitions’ Gillespie Gallery through November 11, 2026.

No RSVP required to attend in person. To attend virtually click the button below to register for the zoom link.


Visual Voices is a scholarly lecture series hosted by Mason Exhibitions featuring notable artists, designers, and creative professionals. If you miss the live presentations, recordings of the lectures will be available roughly 2 weeks after the live event. Find recordings of the lectures on Mason Arts Amplified.

Visual Voices events are free to attend and open to the public.

If you have questions about this event, email Jeffrey Kenney: jkenney5@gmu.edu

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Sound Bath
Sep
25
12:00 PM12:00

Sound Bath

  • Mason Exhibitions Arlington (map)
  • Google Calendar ICS

September 25 from 12:00pm - 1:00pm

Arlington programming will feature 3 sound baths by Veteran Hospital Phycologist,  

Dr. Nicole Cammack is a licensed clinical psychologist with an expertise in providing mental health services to Veterans. She understands the power of healing in community with others and uses sound baths and meditation as a tool for healing. Please bring a yoga mat or blanket to sit and join. 

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Visual Voices: Ali Fard
Sep
24
4:45 PM16:45

Visual Voices: Ali Fard

Ali Fard is an Assistant Professor of Architecture and the Director of MIST Lab at the University of Virginia School of Architecture.

Fard’s work explores the spatial, ideological, and environmental dimensions of contemporary infrastructure. Through award-winning design and research projects, Fard's work emphasizes architecture's critical and multiscalar role within the territorial dynamics of urbanization, offering a timely and critical lens on the systems that shape urban life.

Fard is the author of Grounding the Cloud: Urbanism in the Shadow of Data (University of Minnesota Press, Summer 2026) and the co-editor of NG7: Geographies of Information (Harvard University Press, 2015). Fard has held teaching positions at the Harvard Graduate School of Design and the University of Waterloo. He was a research associate at the Urban Theory Lab at the GSD and served on the editorial board of New Geographies (2013-2018). Fard holds a Doctor of Design (DDes) in architecture and urbanism from Harvard University, and a Master of Architecture (M.Arch) from the University of Toronto.

ali-fard.com

Grounding the Cloud: Urbanism in the Shadow of Data by Ali Fard

Since the 1990s, technologists have promoted a vision of the “cloud” as a shapeless and intangible entity. Grounding the Cloud peers through this hazy façade to reveal the earthly material foundations of global computing and data extraction. Tracing the historical and technological development of the cloud computing paradigm, Ali Fard exposes an ever-evolving project in which ideologies, economic models, and marketing images collude to shape our shared urban environments.

Demonstrating how technology’s spatial footprint now stretches to nearly every corner of the globe, Grounding the Cloud analyzes the often-hidden infrastructures that facilitate platform capitalism—from the mines extracting rare earth minerals in remote regions to the vast global network of fiber-optic cables at the bottom of the oceans to the nondescript data centers that sit on the peripheries of major urban areas. Meanwhile, with compelling examples of smart-city initiatives and corporate campuses, Fard shows how the future of urbanism is deeply intertwined with the growing economies of data extraction.

Breaking down the myth of a clean and efficient tech urbanism, this book makes visible the complex material geographies and geopolitics that undergird today’s most powerful and omnipresent corporations. A timely critique of the growing agency of tech platforms in determining the future of urban space, Grounding the Cloud offers an essential framework for understanding the shifting relationship between technology and urbanization.


 

Past Visual Voices Lectures and additional content from Mason Arts are available for streaming at https://masonartsamplified.gmu.edu/categories/art

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What Remains? Opening Reception
Sep
19
4:00 PM16:00

What Remains? Opening Reception

Saturday, September 19 from 4–7 p.m.

Please come and enjoy the opening reception. We'll start the evening with the jazz quartet of Kenny Rittenhouse while you enjoy refreshments of Vietnamese fare will set the tone for conversation with select featured artists: Curlee Raven Holton, Ulysses Grant. The dialogue will be moderated by curator, Cheryl Edwards


Location: Mason Exhibitions Arlington, 3601 Fairfax Drive, Arlington, VA 22201

Free and open to the public, RSVP Requested

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Pulp Papermaking Workshop
Sep
17
3:00 PM15:00

Pulp Papermaking Workshop

  • 3601 North Fairfax Drive Arlington, VA, 22201 (map)
  • Google Calendar ICS

September 17, 3:00pm - 6:00pm

Join GMU Professor Patrick Sargent and German-based artist Drew Matott of the Peace Paper Project in reconceptualizing fabric. Discarded flags and uniforms are reproposed into paper to be used as screen printing art base.  

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Peace Paper Project: Flag Paper Printmaking at Fenwick Library
Sep
17
10:30 AM10:30

Peace Paper Project: Flag Paper Printmaking at Fenwick Library

In celebration of Constitution Day and in connection with the exhibition Pulp Fictions, artist Patrick Sargent will offer a printmaking workshop using paper made from retired U.S. flags. Visit the second floor of Fenwick from 10:30am–12pm for a demonstration and to make your own print!

This workshop is presented as part of the Peace Paper Project with artist Drew Matott. From September 14-18, 2026, the Peace Paper Project will lead a series of demonstrations, workshops, artist talks, and public events across George Mason University and the surrounding community.

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As You Were Opening Reception
Aug
29
4:00 PM16:00

As You Were Opening Reception

Saturday, August 29 from 4–7 p.m.

Location: Gillespie Gallery, Art and Design Building (First Floor), 4400 University Drive, Fairfax, VA 22030

Free and open to the public, RSVP Requested

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Museum Skills Course
Aug
22
11:30 AM11:30

Museum Skills Course

New for Fall 2026: Museum Management Skills for Exhibitions and Collections 

  

Mason Exhibitions is pleased to launch Museum Management Skills for Exhibitions and Collections beginning in Fall 2026. Developed as a field-based learning opportunity, this course provides students with direct access to the professional practices that shape exhibitions, collections, and museum operations. 

Drawing upon the resources of Mason Exhibitions, the University Art Collection, and the Provisions Library Research Center for Art and Social Change, the course bridges classroom learning and professional experience through hands-on engagement with active exhibitions, collections, research projects, and public programs. Students work alongside museum and exhibition professionals while developing practical skills in curatorial research, collections management, exhibition production, documentation, and museum communications. 

Designed for students interested in museums, galleries, archives, arts administration, public humanities, and interdisciplinary cultural work, this course offers a unique opportunity to gain professional museum experience on campus while contributing to real-world projects and institutional initiatives. 

 

Course Information 

CVPA 489 (CRN 80096) 3credits 
Cross-listed with CVPA 599 Independent Study (CRN 80095) 3 credits 
Fall 2026 
Monday | 10:30 AM–1:10 PM | In-person 

Professional Museum Experience on Campus  

Mason Exhibitions’ Hands-On Field Course 

 

COURSE EXPERIENCE INCLUDES: 

  • Introduction to museum and exhibition professions, institutional structures, and professional practices 

  • Exhibition research, preparation, and installation 

  • Collections management, object handling, and collections care 

  • Curatorial research, writing, and interpretive development 

  • Photography, video production, and digital documentation 

  • Archival organization, cataloging, and database management 

  • Museum communications, outreach, and promotional content development 

Students will contribute to active exhibitions and institutional projects while developing professional experience in museum operations, curatorial practice, and collections management. As students gain familiarity with the field, they will also have the opportunity to pursue an independent project aligned with their academic or professional interests, demonstrating applied knowledge, technical competency, and professional development. 

Time commitment  

Students are expected to commit 9 hours per week to the course, including a 3-hour class and hands-on field experience at Mason Exhibitions.  

 

Ideal for students interested in: 
Museums • Curatorial Practice • Collections Management • Arts Administration • Archives • Public Humanities • Visual Culture • Gallery and Exhibition Work • Communication • Art-related Interdisciplinary Research and Project  

 

For additional information, contact Mason Exhibitions.  

Steven Luu, sluu5@gmu.edu 

Soo Paek, spaek2@gmu.edu

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FLARE Closing Reception
Aug
1
4:00 PM16:00

FLARE Closing Reception

Closing reception for FLARE By Brianna Camp, YACP recipient. Join Camp in celebrating her closing event with chalk mural application and also view the documentary of her new installation and journey through her art practice.

Join Brianna Camp at Mason Exhibitions Arlington on August 1st from 4-7pm for a night of art, learning, and relaxation!

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Art Healing Workshop
Jun
26
12:00 PM12:00

Art Healing Workshop

Experience a full experience to discuss piece of mind, and while working through pain or a challenge.

Brianna Camp will invite you to develop haikus to accompany your painting. Finally, a collage of the haiku and painting will bring the day full circle.

Watercolor and materials will be provided.

Moments of sharing and reflection will be sprinkled into the art making moment.

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Pulp Translations: Artists' Talk & Closing Reception
Jun
22
1:30 PM13:30

Pulp Translations: Artists' Talk & Closing Reception

An open, tented artists' book with wave-like lines of black text and loose thread shot through the pages

Kate Fitzpatrick, Static Myriorama Number 6

Join us for a conversation on contemporary papermaking and artistic practice with Kate Fitzpatrick, Emily Fussner, Jayne Matricardi, and Jennifer Lillis, moderated by Helen C. Frederick (Professor Emerita, School of Art and founder of Pyramid Atlantic).

Pulp Translations brings together work by alumni artists from GMU who use paper as both material and conceptual ground. Working across printmaking, artists' books, sculpture, and installation, these artists approach paper as a surface and a medium through which experiences, ideas, and identities are translated into new physical forms.

Fenwick Library Main Reading Room (2001)
Monday, June 22, 1:30PM

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Opening Reception: Flare: Finding a Sense of Place in the Chronically Ill Body Art Exhibition, with Artist Brianna Camp
May
29
6:00 PM18:00

Opening Reception: Flare: Finding a Sense of Place in the Chronically Ill Body Art Exhibition, with Artist Brianna Camp

OFF CAMPUS LOCATION: Mason Exhibitions Arlington (3601 Fairfax Drive, Arlington VA 22201; adjacent to George Mason’s Mason Square Campus)

Join College of Visual and Performing Arts alumna, Brianna Camp, (BFA, Art and Visual Technology, 2023), for the opening reception of her art exhibition: Flare: Finding a Sense of Place in the Chronically Ill Body.

Brianna Camp’s work in Flare: Finding a Sense of Place in the Chronically Ill Body, an art exhibition at Mason Exhibitions Arlington, uses large-scale oil paintings, photography, and poetry to explore the artist’s journey with a chronic illness.

During this opening reception, experience the unveiling of this world-premiere work and hear directly from Camp herself in a brief artist talk, followed by a question-and-answer session with guests.

This premiere event showcases Camp’s deep and nuanced investigation of illness through art, funded in part by Camp’s win of the 2025 Young Alumni Commissioning Project Award from Mason’s College of Visual and Performing Arts Young Alumni Commissioning Project.

This event is free and open to the public, but registration is required.

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Artist Reception - Kevin Jones: Reflections in Black and White
May
8
6:00 PM18:00

Artist Reception - Kevin Jones: Reflections in Black and White

Gallery Reception:

Kevin Jones: Reflections in Black and White

Join us for an evening reception celebrating Reflections in Black and White, an exhibition of large-scale drawings by artist Kevin Jones on view through June 20.

Friday, May 8, 2026
6:00 PM – 8:00 PM
Free and open to the public

Location:
Hylton Performing Arts Center
Buchanan Partners Gallery

About the Exhibition

Reflections in Black and White is a collection of highly detailed drawings that reinterpret masterworks from the classical canon through the lenses of science fiction, comic books, and anime. Through his work, Kevin Jones explores new truths found in the re-examination of historical imagery and artistic traditions.
Drawing on the principles of Afro-Futurism, the exhibition engages themes of Black erasure while imagining expansive new narratives and possibilities.

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“Let’s Talk About Exclusion” Mason Scholars in Conversation with Grzegorz Kwiatkowski
Apr
23
10:00 AM10:00

“Let’s Talk About Exclusion” Mason Scholars in Conversation with Grzegorz Kwiatkowski

Provisions Research Center for Art and Social Change has recently initiated a research residency program through a series of interdisciplinary conversations intended to stimulate integrative academic research, exhibitions, events, and other creative narratives.

This spring, we are honored to welcome Grzegorz Kwiatkowski—Polish poet, musician, and political activist—in collaboration with the Cheuse International Writers Center. As part of a week-long program of events, there will be two days of conversation with Grzegorz:

“Let’s Talk About Exclusion”

Conversations between visiting artist/scholar Grzegorz Kwiatkowski and Mason scholars.

Dates & Times

Tuesday, April 21, and Thursday, April 23, 10:00 AM – 2:30 PM (both days)

Please note that these conversations will be audio-recorded for research purposes.

Location:

Room 2050, Art & Design Building (Building #4 on the Campus Map)

RSVP: Please email Spaek2@gmu.edu if you would like to attend. Space is limited.

Topics that Grzegorz is interested in engaging:

“In general, I am fascinated by the intersection of politics, history, art, literature, protest, and social issues.”

  • Poetry, literature, art, and music, and their potential to carry political meaning, as well as their capacity for protest.

  • History and the analysis of the present and hypotheses about the future.

  • History of violence in the United States: slavery and genocide of Indigenous peoples, educational memory, and whether a strong and honest education can exist in the U.S., given its own violent history.

  • Cemeteries as sites of memory and exclusion.

  • The function of the “whistleblower” in the contemporary media landscape.

  • The processes through which art and politics merge into a single whole, and the history of protest and resistance movements in the United States.

Biography

Grzegorz Kwiatkowski (b. 1984) – a Polish poet, musician, and human rights activist, has authored several books of poetry revolving around the subjects of history, remembrance, and ethics. He is a member of the psychedelic rock band Trupa Trupa. 

Grzegorz has participated in numerous international literary programs at leading institutions, including Oxford University, Stanford University, the University of Chicago, Johns Hopkins University, the Jewish Historical Institute, the Ted Hughes Society, and the University of California, Berkeley. He will also continue his work as an artist-in-residence at Yale University’s Fortunoff Video Archive for Holocaust Testimonies from 2025 through 2026. 

His work has been featured in The Guardian, The New York Times, Modern Poetry in Translation, Pitchfork, Los Angeles Times, Rolling Stone, Newsweek, Billboard, Spin, Chicago Tribune, NPR, BBC, and KEXP.

Trupa Trupa’s songs have been broadcast on radio shows hosted by Iggy Pop and Henry Rollins. The band has also performed on NPR’s Tiny Desk Concerts and BBC’s Radio 6. Their music has been published by Sub Pop, Glitterbeat Records, Ici d’ailleurs, and Lovitt Records.

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“Let’s Talk About Exclusion” Mason Scholars in Conversation with Grzegorz Kwiatkowski
Apr
21
10:00 AM10:00

“Let’s Talk About Exclusion” Mason Scholars in Conversation with Grzegorz Kwiatkowski

Provisions Research Center for Art and Social Change has recently initiated a research residency program through a series of interdisciplinary conversations intended to stimulate integrative academic research, exhibitions, events, and other creative narratives.

This spring, we are honored to welcome Grzegorz Kwiatkowski—Polish poet, musician, and political activist—in collaboration with the Cheuse International Writers Center. As part of a week-long program of events, there will be two days of conversation with Grzegorz:

“Let’s Talk About Exclusion”

Conversations between visiting artist/scholar Grzegorz Kwiatkowski and Mason scholars.

Dates & Times

Tuesday, April 21, and Thursday, April 23, 10:00 AM – 2:30 PM (both days)

Please note that these conversations will be audio-recorded for research purposes.

Location:

Room 2050, Art & Design Building (Building #4 on the Campus Map)

RSVP: Please email Spaek2@gmu.edu if you would like to attend. Space is limited.

Topics that Grzegorz is interested in engaging:

“In general, I am fascinated by the intersection of politics, history, art, literature, protest, and social issues.”

  • Poetry, literature, art, and music, and their potential to carry political meaning, as well as their capacity for protest.

  • History and the analysis of the present and hypotheses about the future.

  • History of violence in the United States: slavery and genocide of Indigenous peoples, educational memory, and whether a strong and honest education can exist in the U.S., given its own violent history.

  • Cemeteries as sites of memory and exclusion.

  • The function of the “whistleblower” in the contemporary media landscape.

  • The processes through which art and politics merge into a single whole, and the history of protest and resistance movements in the United States.

Biography

Grzegorz Kwiatkowski (b. 1984) – a Polish poet, musician, and human rights activist, has authored several books of poetry revolving around the subjects of history, remembrance, and ethics. He is a member of the psychedelic rock band Trupa Trupa. 

Grzegorz has participated in numerous international literary programs at leading institutions, including Oxford University, Stanford University, the University of Chicago, Johns Hopkins University, the Jewish Historical Institute, the Ted Hughes Society, and the University of California, Berkeley. He will also continue his work as an artist-in-residence at Yale University’s Fortunoff Video Archive for Holocaust Testimonies from 2025 through 2026. 

His work has been featured in The Guardian, The New York Times, Modern Poetry in Translation, Pitchfork, Los Angeles Times, Rolling Stone, Newsweek, Billboard, Spin, Chicago Tribune, NPR, BBC, and KEXP.

Trupa Trupa’s songs have been broadcast on radio shows hosted by Iggy Pop and Henry Rollins. The band has also performed on NPR’s Tiny Desk Concerts and BBC’s Radio 6. Their music has been published by Sub Pop, Glitterbeat Records, Ici d’ailleurs, and Lovitt Records.

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Paper as Politic Symposium
Apr
18
8:00 AM08:00

Paper as Politic Symposium

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Paper as Politic Symposium
Apr
17
8:00 AM08:00

Paper as Politic Symposium

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Paper as Politic Opening Reception
Apr
16
6:00 PM18:00

Paper as Politic Opening Reception

This exhibition underscores the deep understanding of paper as a lasting, portable, and democratic vessel for information—one that is easily altered, recyclable, or even destroyed. This notion is manifested in a diverse array of works, including paintings, prints, artist books, graphic designs, collages, and sculptures.

Paper as Politic acts as a cultural petri dish, capturing not only the darker aspects of our times but also interrogating the nuances of deception, criminality, and potential restoration, all while inviting satirical, sublime, judgmental or non-judgmental perspectives. Through various personal explorations, the exhibition consolidates the power of paper as a medium of expression. Its honesty stands in stark contrast to the distortions often present in social media, ultimately recognizing the importance of sustainability in artistic practice.

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Paper as Politic Symposium
Apr
16
3:00 PM15:00

Paper as Politic Symposium

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Maria Karametou: The Amalgam - Book Event and Reception at Gillespie Gallery
Apr
14
2:00 PM14:00

Maria Karametou: The Amalgam - Book Event and Reception at Gillespie Gallery

Mason Exhibitions hosts GMU School of Art Professor Emerita, Maria Karametou for a celebration of her debut novel, The Amalgam at Gillespie Gallery in the GMU Art and Design Building on Tuesday, April 14th from 2-4pm. Refreshments will be provided.

Maria Karametou, a first-generation immigrant to the U.S. from Athens, Greece, is a visual artist, writer, curator, and professor whose mixed media works are exhibited internationally in numerous museum and gallery shows that, aside from the U.S., include Germany, Greece, Russia, Bulgaria, Turkey, China, and Korea, and are also in various museum, private, and public collections, including at the Holter Museum, Helena, MT; The Vorres Museum of Contemporary Art, Athens, Greece; the Freddie Mac Corporation; and the D.C. Commission on the Arts and Humanities. Her most recent solo exhibition, “Kallos,” was at the Katzen Museum, Washington, D.C. Karametou has organized and curated several international projects, such as EcoReflections (Resim ve Heykel Müzesi Galerisi, Ankara, Turkey) and participated in international collaborative projects, like Penelopeia, sponsored by the Presidency of the European Union. Her long career as a university professor includes, among others, a Fulbright Research Scholar award.

As a writer, Karametou has published short stories and poems in literary magazines, including Poet Lore, The RavensPerch, A Bilingual Anthology of Greek American Poetry, and Bethesda Magazine, after receiving an award in the Washington Metropolitan Area Short Story Competition. Other publications involve numerous artist statements, artist books, and essays. Presentations include reading her poems at the D.C. Embassy of Greece.

She is a Professor Emerita, having recently left her tenured position at the School of Art, George Mason University, Virginia, where she directed the Drawing Division to devote more time to her studio work and writing.

Inspired by her experiences and history of migration, mobility, and displacement, her work, both visual and literary, relates to identity and our personal journey of self-discovery. The Amalgam is her first novel.

About the Book:
Athens, 1984. All Meta wants is to escape her tyrannical father and the future he demands of her. But when her dying grandmother, Metaxia, presses a mysterious heirloom into her hands—begging her to return it to the lost Greek village in Asia Minor from which she was violently expelled during World War I—Meta makes a promise she doesn’t fully understand.

Fleeing to America in a desperate bid for freedom, Meta must survive on her own after her father cuts her off—penniless, hungry, and clinging to her dream of becoming an artist. Yet the heirloom wrapped in her grandmother’s handkerchief refuses to be forgotten. Years later, a shattering moment forces Meta to confront the life she has built—and the history she has tried to outrun.

Her journey to Turkey becomes a pilgrimage across continents and across time, echoing Metaxia’s own flight from violence decades earlier. As their parallel stories converge, Meta must finally face the truth: can we ever return to the places that made us—or only to the person we were meant to become?

Sweeping, intimate, and deeply human, The Amalgam is the tale of two women bound by survival, exile, and the unbreakable pull of home.

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Living The Prescription: Artist Talk and Tour
Apr
12
3:00 PM15:00

Living The Prescription: Artist Talk and Tour

Celebrating Lisa Brown, Melani Douglass, and Former Anacostia Arts Center Creative Director- Terence Nicholson

Living the Prescription brings together the photographic work of Lisa Brown and the multidisciplinary visual practice of Terence Nicholson to explore how home becomes a site of care, memory, and cultural continuity when lived day to day. In conversation with Melani N. Douglass’s The Prescription is HOME: A Manifesto, this parallel exhibition shifts from declaration to presence—revealing how the manifesto’s call is embodied in the everyday acts that shape our lives and relationships.

3-3:15: Assemble and walk over to Founders Gallery (3351 Fairfax Drive, Arlington VA)

3:15-3:45: Tour Living the Prescription- Lisa Brown and Terence Nicholson

Head back to Mason Exhibitions Arlington: 3601 Fairfax Drive, Arlington VA

4-5pm:

Moderated panel discussion

Moderators: Alissa Maru + Jess Randolph

Panelists: Carole Robinson

Artists: Melani N. Douglass, Lisa Brown and Terence Nicholson

5-6pm:

mix and mingle with libations and snacks

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Fountain of Truth: Closing Reception and Artist Panel
Apr
12
2:00 PM14:00

Fountain of Truth: Closing Reception and Artist Panel

Join us for a closing reception and panel discussion led by the exhibit curator Silas Fransen with artists Cheryl D. Edwards, Marie Guagenti, Britnee Scott, and Angela Hiebert.

About the Exhibition:

Fountain of Truth

Curated by Silas Fransen

Historically, men have controlled the narrative of what it has meant for a woman to age. During the Renaissance in Europe, a woman’s virtue became tied to her appearing youthful. In turn, older women became synonymous with sin. This created a history of a woman’s value and virtue being directly linked to her age. To this day, women are told how to age, how to feel about aging, and what products they need to buy to “stop” it. Fountain of Truth challenges this norm by asking women artists to define their relationship with aging in their own words and art.

Five Artists from the greater Washington, DC area have come together to share their experiences with aging through their art work. Because women artists’ voices are often suppressed, this exhibition uses their artist statements to describe their work. In hearing their voices, you will begin to appreciate the wide range of experiences and perspectives that these artists have on aging. Each artist reflects on such deep and profound themes as redefining beauty, journeys of self discovery, and the importance of nurturing your inner child. The exhibit also reflects on how race shapes the ways in which a person experiences aging. A unifying theme throughout all of the works is a reminder to free ourselves from outside expectations and to look within for inspiration.

Aging is a deeply personal experience that affects people throughout every stage of life. For this reason, Fountain of Truth is an intergenerational conversation about aging. The artists here have found that age fosters wisdom, and wisdom fosters self love and respect. Throughout history, women have been taught to fear aging because it propels them into irrelevance, when in fact, they become more powerful. Fountain of Truth gives a platform to women artists to share how they navigate the complex feelings, ideas, and misconceptions about aging through their work.  

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